SKIPTON MUSIC’S 79TH SEASON OPENS WITH ELEGANCE AND VIRTUOSITY
Skipton Music’s 2026-27 season kicked off with a stunning recital of music for flute and guitar, performed by Meraki Duo, with Meera Maharaj on flute and James Girling on guitar.
Their programme, drawn mostly from their recently released album Notes from the Living Room, was wide-ranging in both style and geography, consisting of classical, folk and jazz music from America, Japan, Macedonia, Argentina, France and Brazil.
William Grant Still’s Three Songs, in one of many arrangements by James throughout the programme, was played elegantly and soulfully by the pair, with Meera introducing us early on to the gorgeous tones of the alto flute. This was followed by two sensitive performances of music by Tōru Takemitsu and the first half concluded with incredibly detailed playing from both musicians as they tackled exuberant folk melodies from Macedonia, reimagined by Mirolslav Tadić.
The second half opened with a heartfelt rendition of Astor Piazzolla’s Café 1930, followed by two delightful pieces of very early Messiaen, reminiscent of Ravel and Debussy. But perhaps the highlight of the evening was the breathtaking rhythmic drive and virtuosity, as witnessed in their performance of two pieces by the wildly inventive Hermeto Pascoal – a new composer to many in the audience, but one that they will surely want to find out more about. All in all, a thoroughly enjoyable evening from a duo who are definitely going places.
Next up, on Tuesday November 3rd, is a recital from two of the UK’s most exciting musicians, mezzo soprano Helen Charlston, accompanied by pianist Sholto Kynoch, with a programme of song built around Schumann’s Dichterliebe.
Pete Stollery