Fenella Humphreys, winner of the 2023 BBC Music Magazine Premiere Recording Award, has attracted critical admiration and audience acclaim with the grace and intensity of her remarkable performances.
With her playing described in the press as “alluring”, “unforgettable” and “a wonder”, Fenella is one of the UK’s most established and versatile violinists, having also won the 2018 BBC Music Magazine Instrumental Award. She enjoys a busy career combining chamber music with solo work, performing in the most prestigious venues around the world and is frequently broadcast on the BBC, Classic FM, Scala Radio and international radio stations.
Fenella performs widely as a soloist. Her recent album of Sibelius’ solo works with BBC National Orchestra of Wales and George Vass has been featured in BBC Radio 3’s Building a Library, Gramophone Magazine’s Guide to the Concerto, and was Album of the Week on Scala Radio. BBC Music Magazine has written of the recording: “it takes an unusually fine artist to be able to bridge the two extremes. Fenella Humphreys’s playing is a genuine revelation in the way it brings out the music’s dark and introspective qualities, with no shortage of technical panache meanwhile.”
Fenella has given the first performances of scores by a vast range of composers, most notably Sir Peter Maxwell Davies, Sally Beamish, Gordon Crosse, Cheryl Frances-Hoad and Freya Waley-Cohen. In June 2023, Fenella premiered a new violin concerto, dedicated to her by Adrian Sutton, at the Queen Elizabeth Hall, London, with the Royal Philharmonic Orchestra.
Fenella plays on a G.B. Guadagnini violin kindly on loan from Jonathan Sparey.
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With an extraordinary career spanning over five decades, Martin Roscoe is unarguably one of the UK’s best loved pianists. Renowned for his versatility at the keyboard, Martin is equally at home in concerto, recital and chamber performances. His enduring popularity and the respect in which he is universally held are built on a deeply thoughtful musicianship and his easy rapport with audiences and fellow musicians alike. Martin is Artistic Director of Ribble Valley International Piano Week and the Manchester Chamber Concerts Society, and has recently stepped down as Co-Artistic Director of the Beverley Chamber Music Festival.
With a repertoire of over 100 concertos performed or recorded, Martin continues to work regularly with many of the UK’s leading orchestras, having especially close links with the BBC Philharmonic Orchestra, BBC National Orchestra of Wales, BBC Scottish Symphony Orchestra, Hallé Orchestra, Manchester Camerata, Northern Chamber Orchestra and the Royal Liverpool Philharmonic Orchestra, where he has given over ninety performances. Other orchestral highlights have included BBC Symphony Orchestra and Royal Philharmonic Orchestra. Martin also performs widely across Europe, Canada, Australia and the Far East, sharing the concert platform with eminent conductors such as Sir Simon Rattle, Sir Mark Elder, Gianandrea Noseda, and Christoph von Dohnányi.
Having made over 600 broadcasts, including seven BBC Prom appearances, Martin is one of the most regularly played pianists on BBC Radio 3. Martin has also made many commercial recordings for labels such as Hyperion, Chandos and Naxos. He has recorded the complete piano music of Dohnányi ,Nielsen and Szymanowski, as well as four discs in the Hyperion Romantic Piano Concerto series. For the Deux-Elles label, Martin has recorded the complete Beethoven piano sonatas, for which he received unanimous critical acclaim.
More information: Fenella Humphreys and Martin Roscoe
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Skipton Music launched its new season in style last Tuesday evening with an inspired recital by violinist Fenella Humphreys and pianist Martin Roscoe. Playing to a full Town Hall, the duo delivered a programme that was as imaginative as it was virtuosic, each performer balancing detail with dazzling energy.
Fenella explained that her selection revolved around the number 25, marking works premiered in either 1825 or 1925, and performed here in 2025. The opening set, Prokofiev’s Five Melodies of 1925, was a delight, the violinist shaping the vocal origins of the work with lyrical poise while Martin provided warm and sensitive support. Adrian Sutton’s Eulogy offered elegiac beauty, leading into Caroline Shaw’s solo violin piece, a tour de force of texture and colour. Mendelssohn’s youthful Sonata in F minor, composed at just 14, closed the first half with fire and brilliance.
The second half opened with Honegger’s richly sonorous Sonata No. 2, Fenella coaxing cello-like depths from her instrument. Dorothy Howell’s rarely heard Phantasy was a revelation, both players attacking its bold gestures with conviction. Stravinsky’s Suite displayed incredible virtuosity in equal partnership, rounding off the evening with panache.
Prolonged applause and foot-stamping earned a final treat: Howell’s The Moorings as an encore, sending the audience home exhilarated after a superbly crafted and deeply satisfying concert.
Pete Stollery